Pat Crann uploaded the first Shout Out Loud Prints mixtape to bandcamp.com for your streaming and downloading pleasure. Amelia, the grunge-pop band I played bass in with Maryn Jones and Ryan Starinsky, has a song on it titled "Bridges." Vile Gash, The Boy Who Could Fly, Screaming Females, Best Friends Forever, The Max Levine Ensemble, and other bands are also represented on the tape/MP3 download.
Showing posts with label Don't Let Me Be In Bands. Show all posts
Showing posts with label Don't Let Me Be In Bands. Show all posts
5/27/11
Shout Out Loud Prints Mix Tape, Now Online
Pat Crann uploaded the first Shout Out Loud Prints mixtape to bandcamp.com for your streaming and downloading pleasure. Amelia, the grunge-pop band I played bass in with Maryn Jones and Ryan Starinsky, has a song on it titled "Bridges." Vile Gash, The Boy Who Could Fly, Screaming Females, Best Friends Forever, The Max Levine Ensemble, and other bands are also represented on the tape/MP3 download.
3/16/10
What's Wrong With Us? Discography
I didn't know who Geoff McFetridge was. Sorry.
In 2008 I was in a short lived band with Kari Jorgensen of Crumpler and The Boy Who Could Fly fame. We were originally called "Young People" until I found a 7 inch at Magnolia Thunderpussy by a band called Young People. Then we were called "What's Wrong With Us?" which is probably the best band name possible. I played bass through a brokenish guitar amp which made it sound high and fuzzy. Kari - I think - taught herself drums for it. We both sang. We had, like, 3 other songs. We played once with Toby Foster in the upstairs of the Monster House and once at the Punk Porch with either Black Rainbow or Dead Dog. I remember thinking that was the worst show I ever played in my life (including Hot Date shows). I think we played one or two other times in the basement of the Monster House. I think maybe with Forever and Tacocat. I don't remember when or why we stopped playing which sort of means that we are still a band, just on hiatus, like Fugazi. Kari is in Utah now working at an art museum and playing guitar in a band with Amy Farina.
1. Untitled (Beat Happening)
2. Untitled (Carrie Nations)
3. "Get Over It"
4. East 5th Avenue
In 2008 I was in a short lived band with Kari Jorgensen of Crumpler and The Boy Who Could Fly fame. We were originally called "Young People" until I found a 7 inch at Magnolia Thunderpussy by a band called Young People. Then we were called "What's Wrong With Us?" which is probably the best band name possible. I played bass through a brokenish guitar amp which made it sound high and fuzzy. Kari - I think - taught herself drums for it. We both sang. We had, like, 3 other songs. We played once with Toby Foster in the upstairs of the Monster House and once at the Punk Porch with either Black Rainbow or Dead Dog. I remember thinking that was the worst show I ever played in my life (including Hot Date shows). I think we played one or two other times in the basement of the Monster House. I think maybe with Forever and Tacocat. I don't remember when or why we stopped playing which sort of means that we are still a band, just on hiatus, like Fugazi. Kari is in Utah now working at an art museum and playing guitar in a band with Amy Farina.
1. Untitled (Beat Happening)
2. Untitled (Carrie Nations)
3. "Get Over It"
4. East 5th Avenue
2/10/10
RAZORCAKE REVIEW OF AMELIA/PHERAMONES
AMELIA / PHERAMONES:
Split: Cassette
Amelia: This sounds like it could be pretty all right stuff; however, it’s recorded horribly, rendering it near unlistenable. The vocals are too loud while everything else is rather quiet and barely discernable. There are mainly female vocals with some male vocals. The hand-written note that came with it said that they are “’90s alternative.” I’ll buy that. Hope things work out better with the recording next time around. Pheramones: Well, it’s male-fronted poppy indie. Kinda playful, kinda heartfelt. I wouldn’t mind hearing it while sitting at a coffee shop, but it doesn’t really do too much for me. –Vincent Battilana (In The Pocket)
My Response: We have fans all across the 3rd floor with Amelia tattoos.
Amelia Record.
The Review.
Split: Cassette
Amelia: This sounds like it could be pretty all right stuff; however, it’s recorded horribly, rendering it near unlistenable. The vocals are too loud while everything else is rather quiet and barely discernable. There are mainly female vocals with some male vocals. The hand-written note that came with it said that they are “’90s alternative.” I’ll buy that. Hope things work out better with the recording next time around. Pheramones: Well, it’s male-fronted poppy indie. Kinda playful, kinda heartfelt. I wouldn’t mind hearing it while sitting at a coffee shop, but it doesn’t really do too much for me. –Vincent Battilana (In The Pocket)
My Response: We have fans all across the 3rd floor with Amelia tattoos.
Amelia Record.
The Review.
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