Showing posts with label Socioeconomic Inequality. Show all posts
Showing posts with label Socioeconomic Inequality. Show all posts

9/8/09

ROY G BIV Artist Talk / Amelia

HERE is the link to a mp3 of my artist talk from earlier this summer. It is an (muffled, tangential, incomplete) explanation of a show that was at the ROY G BIV gallery during July of 2009.

This is the link to photos of the show.

And this is this (FROM):

















 


We're (Amelia) playing D.I.T. Fest in Kent, Ohio on September 12th. Here is the lineup:


Friday Sept 11th, 2009 @ 6PM
@ the Vineyard (154 N. Depeyster, Kent, OH 44240)
6:00-6:20 – Zax Kelly
6:25-6:40 – Gabz Ciofani*
6:45-7:05 – Adam Klopp
7:10-7:30 – Ancestors
7:35-7:50- Ben Ryant*
7:55-8:15- G
abe Wolf
8:20-8:35 – Jordan Castro*
8:40-9:00 -General Ledger
9:05-9:25 – Toby Foster
9:30-9:50 – Nicholas Megalis
9:55-10:10 – Ryan Eilbeck*
10:15-10:30- Richard Wehrenberg Jr*
10:35-10:55-
Letters to the Moon
11:00-11:15 – Matt Whispers*
11:20-11:40 – American War

*denotes poet
@ the Kent Stage Alleyway @ 11:45PM (175 E.Main St, Kent, OH, 44240)
11:45-12:05 – Bobby Stevens
12:10-12:30 – Andy Cook and the Wanderloons
12:35-12:55 – Pheramones
1:00-1:20 Annabel

Saturday September 12th
@ the Vineyard 1PM (154 N. Depeyster, Kent, OH, 44240)

1:00-1:20 – the Ghost of Asa Phelps
1:30-1:50 – Ashley Brooke Toussant
2:00-2:20 – Two Hand Fools
2:30-2:50 – Playoff Beard
3:00-3:20 – Signals Midwest
3:30-3:50 – Destroy Nate Allen
4:00-4:20 – Higher Fives
4:30-4:50 – Positive
5:00-5:20 – Dustin and the Furniture
5:30-5:50 – Saintseneca
6:00-6:20
– Busman’s Holiday
6:30-6:50 – Reverse the Curse
7:00-7:20 – Asinine
7:30-7:50 – Bethesda
8:00-8:20 – These Aren’t Candles
8:30-8:50 – the Menzingers
9:00-9:20 – the Sidekicks
9:30-9:50 – Underdogs of Nipomo
10:00-10:20 – Amelia
10:30-10:50 – Endless Mike and the Beagle Club
11:00-11:20 – Delay
11:30-11:50 – No Target Audience

6/15/09

THE PROMOTIONAL ADVERT FOR MY "ART SHOW."




























I feel obligated to say I didn't make it. The left portion is a detail of my"piece" called Working With the Police. It is a schema of one room of Howard & Babette Sirak's house in Bexley which used to contain "The Sirak Collection." That conspicious consumption is now the cornerstone of the Columbus Museum of Art's European Modernism collection and the Siraks are remembered "great patrons of the arts." Rick Ross, of course, is the dude on the GET RIGHT MIXTAPE who says "working with the police" ad infinitum as some sort of don't-snitch-you're-lame-cause-you-talk-to-cops-thing. Well, anyway, dude was a corrections officer. That is exactly how I feel making artwork and trying to work in arts organizations. Shit is totally sold out and dependent on everything I hate. My recent internship doing data entry of the donor class for the development department at CMA didn't help matters. I helped pave the way for a Huntington ATM to go inside the museum: Awesome! But "Working with the police" is also a good way to think about changing/challenging meaning with existent imagery. And most of my show will be pictures of authority figures getting worked.

Also, I had them change my named from "Jimi" to "James" on the card. I'm not sure if it's worse to have a misspelled eleven year-old boy's name or to be pretentious and self-involved enough to have someone go back and change something like that.












AUSSI:
Je suis Marxiste
Soaked in lithium mineral hot springs, pennyroyal tea, doused in mud, sopped in bleach, cherry antacid and laxatives.
Soviet punks looking just as bored.

AND FIN

A STORY OF REFUSE:

It is a post-apocalyptic type of contraption. Bags tied to bags tied to a grocery cart with several amendments made to its figure. It has the presence of a ramshackle tank as its owner slowly pushes it down the shuttered alleys of the Ohio State campus in search of… something. And whatever. It’s a bit open-ended. But mostly the setup is for gleaning a bit from the plentiful crop of beer cans.

The man behind the bags is John Scott, or Leroy as he asks to be called. One of his “road dogs” is working a dumpster nearby, his upper body plunged deep within. His name is Popeye.

Scott is middle-aged, perhaps a bit more. He retired from his state job a few years back after being moved from the fairgrounds to the markedly more uptight atmosphere of a downtown office building. As he explains,

“We shoveled shit…you basically know what the fairgrounds does. You got cattle, sheep and all this; you take care of the buildings and everything. In the summertime we cut the grass and painted and all that. Then they sent me down there and I started to have to wear a white shirt and a tie… Oh no man. And no tennis shoes.”

But the retired life has worn thin for him as it does for many. Scott often complains, in a comic tone, of living with his children. “I’ve got 30 people in my house, and most of them are kids. I don’t need it.” Collecting cans is often his excuse to get out and enjoy the day.

And it is good he gets enjoyment out of collecting because it has become increasingly difficult to get any money out of the practice. Recycling centers give out less than half of what they did last year for Aluminum scrap, down from the halcyon days of 80 cents to just 30-35 cents on the pound. This reduces the value of one can’s worth of aluminum to something less than half a cent.

“I can’t make ten dollars with it,” Scott says in reference to the 30-40 bags he accumulates on a good day.

But there are other benefits to cleaning up after buckeye debauchery. “I go up there and get a chance to look at the pretty women, good conversation, they give me beer and things like that. After a good party, if you come out here at night time, hey, they leave you the rest of the beer and alcohol.”

And as far as the “culture of rioting” and “drunken orgies” that former OSU president Karen Holbrook infamously derided, Scott doesn’t mind. “It’s college. If I went to any other college it would be the same. I’m an old man now but you guys are still young.”

And it seems the arrangement works out for the students on campus as well. William Nelson, a junior majoring in Communications who lives on W. 10th Ave. is quite familiar with some of the 30 or so regular can collectors on campus. After describing several of the more colorful characters (“Cornbread” “the guy in the suit” and “the guy with the hair”) Nelson explains: “We’re that house. We always party. But it’s one of those things that, like, if the bums didn’t pick up the cans, we wouldn’t throw them in the yard. But as soon as we notice the bums picking up the cans, it’s like why not?”

Nelson goes on to say that they are don’t mind the collectors until they begin to ask for beer. And usually he and his roommates don’t even know at what time they come.

“We wake up and the yard is clean. Who knows?”

Nelson feels the relationship to be symbiotic. “We’re giving them money, they’re doing something for us. So there it goes.”

For Nelson and his roommates, who are all transplants from suburban enclaves throughout the state, living at the house has been their first interaction with the underground economy that Scott thrives on, or at least finds enjoyment in. And accordingly their attitude towards the situation comes off a bit cavalier. But to Scott, that’s fine.

“That’s how I get cans.”